Overseasidol.com — On May 20, Hong Kong’s emerging idol project “Idol Girls” has indtroduced 25 first-generation trainees.
The turnout far exceeded expectations, especially for a group of performers who have yet to make their official debut.
Many in the public still confuse “trainees” with fully debuted idols, which led to some misunderstanding surrounding the event.
The team clarified that these girls are still in training and have not yet released original songs, though they assured fans that exclusive music content is in development.
In their debut performance, the trainees paid tribute to earlier Hong Kong girl groups by covering hits such as “Candy Ball” by As One, “HotCha” by Hotcha, “Flash On” by Super Girls, “Impatient” by Cookies.
Unlike most idol survival programs that focus on elimination, “Idol Girls” centers on long-term development.
There are no eliminations planned. Instead, the program will continue growing by recruiting second-generation trainees and evaluating members periodically for potential debut group formations.
Once debuted, these sub-groups will remain part of the larger “Idol Girls” entity for collective performances.
To provide real-world experience, the trainees are regularly exposed to public performances, such as the recent Just Sing Live in Wonderland and the media launch at Hollywood Plaza.
These events help bridge the gap between training and actual stage presence in front of live audiences.
The producers also emphasized the importance of family consent and safety, especially for underage participants.
All minors involved in the program have written parental approval, and many adult trainees also have family support.
A recent online controversy comparing the youngest trainee (14 years old) to a veteran actor was met with discomfort by the production team, who promptly checked in on the member’s well-being.
With support from her family, she remained strong and continued her performance, a gesture the team and fans deeply respect.
Regarding his on-stage speech that sparked online discussion, the producer issued an apology, clarifying that his intention was to say the girls are not just screen idols, they are accessible performers who can engage with local communities and uplift the public spirit during tough economic times.
